Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

SUNDAY POETRY: SEA MAP

Credit: desdibuix - miquel Miquel Bohigas Costabella via Flickr.

    
SEA MAP 
By Hilda Morley
Taste of salt on my fingers,
                                           that’s how
I like it:
               the line of sea rising
above the dark-green pine,
                                           the sea meeting
the horizon,
                     so always the eyes are lifted higher,
                     the pulse buoyed upward
with them
                  So it
should be for us all—
                                  to belong to
whatever moves us outward into
the wideness, for journeying,
                                              tales of
distant places,
                        treasures piled
                        to fill our smiling,
                                                       for us to know of
along the travelled coastline,
                                           the mountains
we can climb to,
                           each port,
                                           each harbor
another window to wash our faces in,
                                                         pull us
forward
               & made for us,   made for
all of us,
                as the birds know, who
fly the continents,   the oceans
for their secret reasons,
                                     a map of the earth
written inside their bodies,
                                           marked
under their breastbones:   
                                       a continuance
of the now most fragile,         
                                        always travelled
patiently enduring world

SUNDAY POETRY: "DISTANT COASTS"


DISTANT COASTS
by John Gould Fletcher
      from Japanese Prints


 A squall has struck the sea afar off.
You can feel it quiver
Over the paper parasol
With which she shields her face;

In the drawn-together skirts of her robes,
As she turns to meet it.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
(Top photo from here. Bottom photo from here.) 

SUNDAY POETRY: "FLOWERS BY THE SEA"
























FLOWERS BY THE SEA
By William Carlos Williams

When over the flowery, sharp pasture’s
edge, unseen, the salt ocean

lifts its form—chicory and daisies
tied, released, seem hardly flowers alone

but color and the movement—or the shape
perhaps—of relentlessness, whereas

the sea is circled and sways
peacefully upon its plantlike stem 

(Photo credit: Aquaimages via Wikimedia Commons.)

"THE LONELY PIPEFISH"



Up, up, slender   
         As an eel’s
         Child, weaving   
Through water, our lonely   
Pipefish seeks out his dinner,

         Scanty at best; he blinks
         Cut-diamond eyes—snap—he   
         Grabs morsels so small
Only a lens pinpoints them,
But he ranges all over

         That plastic preserve—dorsal   
         Fin tremulous—snap—and   
         Another çedilla
Of brine shrimp’s gone ...
We talk on of poetry, of love,

         Of grammar; he looks   
         At a living comma—   
         Snap—sizzling about
In his two-gallon Caribbean
And grazes on umlauts for breakfast.

         His pug nosed, yellow
         Mate, aproned in gloom,   
         Fed rarely, slumped,
Went deadwhite, as we argued on;   
That rudder fin, round as a

         Pizza cutter, at the
         End of his two inch
         Fluent stick self, lets his eyes
Pilot his mouth—snap ...
Does his kind remember? Can our kind forget?

(Photo from here.)

SUNDAY POETRY: "FIVE VIEWS OF CAPTAIN COOK"
























FIVE VIEWS OF CAPTAIN COOK
[A fragment]
by Kenneth Slessor

Flowers turned to stone! Not all the botany   
Of Joseph Banks, hung pensive in a porthole,   
Could find the Latin for this loveliness,   
Could put the Barrier Reef in a glass box   
Tagged by the horrid Gorgon squint
Of horticulture. Stone turned to flowers   
It seemed—you’d snap a crystal twig,   
One petal even of the water-garden,
And have it dying like a cherry-bough.
They’d sailed all day outside a coral hedge,   
And half the night. Cook sailed at night,   
Let there be reefs a fathom from the keel   
And empty charts. The sailors didn’t ask,
Nor Joseph Banks. Who cared? It was the spell   
Of Cook that lulled them, bade them turn below,   
Kick off their sea-boots, puff themselves to sleep,   
Though there were more shoals outside
Than teeth in a shark’s head. Cook snored loudest himself.

(You can read this amazing poem in its entirety at the Poetry Foundation website.)

The illustration of a coral above is by Eugenius Johann Christoph Esper from his c.1798 book Die Pflanzenthiere in Abbildungen nach der Natur mit Farben erleuchtet nebst Beschreibunge.

That translates roughly to: "Images from nature of animal-plants, illuminated with color and descriptions." For more scans of Esper's work, see the digital gallery of Germany's Humboldt University.



HMS Endeavour. 1768. Thomas Luny.

Joseph Banks was the botanist/naturalist who sailed aboard HMS Endeavour on James Cook's first voyage voyage of exploration between 1768 and 1771. 

Among their many shared adventures was a near-sinking after weeks of entrapment (occasionally escaping, only to get sucked back in by winds or currents) in the maze of Australia's Great Barrier Reef. 

Eventually Endeavour was holed on a reef and Cook's men were forced to lay her ashore for seven weeks of repairs. Cook wrote with unusual feeling about his adventures in the coral shallows:

It is but a few days ago that I rejoiced at having got without the Reef, but that joy was nothing when Compared to what I now felt at being safe at Anchor within it, such is the Visissitudes attending this kind of Service & must always attend an unknown Navigation where one steers wholy in the dark without any manner of Guide whatever.



(Les Gibson. Photo by Julia Whitty.)
 
The site of Endeavour's repairs is today known as Cooktown—home then and now to the Guugu Yimithirr people, who taught Cook's men the word ganguru (kangaroo) and who kept them alive with gifts of food and natural history lessons in an unfamiliar landscape/seascape.

I wrote at some length about the Guugu Yimithirr and Cook's legacy in my Mother Jones article Listen to the Lionfish: What Invasive Species Are Trying to Tell Us

In the photo above, Les Gibson, a Guugu Yimithirr, is showing me how to "hunt" (fish) near the place where Endeavour limped ashore 232 years earlier.




 



















James Cook. c. 1775. Nathaniel Dance.

After his sojourn with the Guugu Yimithirr, after enjoying the bounty of their vibrant world, Cook concluded:

In reality they are far more happier than we Europeans; being wholy unacquainted not only with the superfluous but the necessary conveniencies so much sought after in Europe.

SUNDAY POETRY: "YOU SEA!"


YOU SEA!
Fragment: SONG OF MYSELF
by Walt Whitman

You sea! I resign myself to you also—I guess what you mean,
I behold from the beach your crooked fingers,
I believe you refuse to go back without feeling of me,
We must have a turn together, I undress, hurry me out of sight of the land,
Cushion me soft, rock me in billowy drowse,
Dash me with amorous wet, I can repay you.

Sea of stretch'd ground-swells,
Sea breathing broad and convulsive breaths,
Sea of the brine of life and of unshovell'd yet always-ready graves,
Howler and scooper of storms, capricious and dainty sea,
I am integral with you, I too am of one phase and of all phases. 


I think the photo might also be by Jason Wingrove. Found it here.

You might remember another lovely Jason Wingrove shorted I posted a while back, called Sea Pool.

The song in the video: "The Swimming Song" by Loudon Wainwright III.

SUNDAY POETRY: "THE DIVER'S CLOTHES LYING EMPTY"


by Jalāl ad-Dīn Muḥammad Rūmī

You're sitting here with us, but you're also out walking
in a field at dawn. You are yourself
the animal we hunt when you come with us on the hunt.
You're in your body like a plant is solid in the ground,
yet you're wind. You're the diver's clothes
lying empty on the beach. You're the fish.

In the ocean are many bright strands
and many dark strands like veins that are seen
when a wing is lifted up.
Your hidden self is blood in those, those veins
that are lute strings that make ocean music,
not the sad edge of the surf, but the sound of no shore.

SUNDAY POETRY: "AT MELVILLE'S TOMB"



Often beneath the wave, wide from this ledge
The dice of drowned men’s bones he saw bequeath
An embassy. Their numbers as he watched,
Beat on the dusty shore and were obscured.


And wrecks passed without sound of bells,
The calyx of death’s bounty giving back
A scattered chapter, livid hieroglyph,
The portent wound in corridors of shells.


Then in the circuit calm of one vast coil,
Its lashings charmed and malice reconciled,
Frosted eyes there were that lifted altars;
And silent answers crept across the stars.


Compass, quadrant and sextant contrive
No farther tides ... High in the azure steeps
Monody shall not wake the mariner.
This fabulous shadow only the sea keeps.

*Thanks to my friends Howard and Michele Hall for sharing their amazing sperm whale video on Vimeo.

SUNDAY POETRY: "I ONLY AM ESCAPED ALONE TO TELL THEE"
























(Destiny. 1900. John William Waterhouse.)


I tell you that I see her still
At the dark entrance of the hall.
One gas lamp burning near her shoulder   
Shone also from her other side   
Where hung the long inaccurate glass   
Whose pictures were as troubled water.   
An immense shadow had its hand   
Between us on the floor, and seemed   
To hump the knuckles nervously,   
A giant crab readying to walk,   
Or a blanket moving in its sleep.

You will remember, with a smile   
Instructed by movies to reminisce,   
How strict her corsets must have been,   
How the huge arrangements of her hair   
Would certainly betray the least   
Impassionate displacement there.   
It was no rig for dallying,
And maybe only marriage could   
Derange that queenly scaffolding—
As when a great ship, coming home,   
Coasts in the harbor, dropping sail
And loosing all the tackle that had laced
Her in the long lanes ....
                                       I know
We need not draw this figure out.
But all that whalebone came from whales.   
And all the whales lived in the sea,   
In calm beneath the troubled glass,   
Until the needle drew their blood.

I see her standing in the hall,
Where the mirror’s lashed to blood and foam,   
And the black flukes of agony
Beat at the air till the light blows out.

SCI-KU #1: THERMOMETERS RISE...


Inspired by a new science paper, I attempt to distill its haiku.
 
Thermometers rise—
plowing crooked furrows straight
societies fall


Based on the paper, "2500 Years of European Climate Variability and Human Susceptibility" in Science. The abstract:

Climate variations have influenced the agricultural productivity, health risk, and conflict level of preindustrial societies. Discrimination between environmental and anthropogenic impacts on past civilizations, however, remains difficult because of the paucity of high-resolution palaeoclimatic evidence. Here, we present tree ring–based reconstructions of Central European summer precipitation and temperature variability over the past 2500 years. Recent warming is unprecedented, but modern hydroclimatic variations may have at times been exceeded in magnitude and duration. Wet and warm summers occurred during periods of Roman and medieval prosperity. Increased climate variability from ~AD 250 to 600 coincided with the demise of the Western Roman Empire and the turmoil of the Migration Period. Historical circumstances may challenge recent political and fiscal reluctance to mitigate projected climate change.

The painting is Landscape with the Fall of Icarus, 1558, by Pieter Bruegel the Elder. You can just make out the crashed Icarus in the water near the boat. No one seems to notice.

The paper:
      Buntgen, U., Tegel, W., Nicolussi, K., McCormick, M., Frank, D., Trouet, V., Kaplan, J., Herzig, F., Heussner, K., Wanner, H., Luterbacher, J., & Esper, J. (2011). 2500 Years of European Climate Variability and Human Susceptibility Science DOI: 10.1126/science.1197175

        SUNDAY POETRY: "AN OCEAN MUSING"


        (Oil seeps and spills in the Gulf of Mexico, May 13, 2006. NASA image created by Jesse Allen, using data obtained from the Goddard Level 1 and Atmospheric Archive and Distribution System.

        AN OCEAN MUSING

        Far, far out lie the white sails all at rest;
        Like spectral arms they seem to touch and cling
        Unto the wide horizon. Not a wing
        Of truant bird glides down the purpling west;
        No breeze dares to intrude, e’en on a quest
        To fan a lover’s brow; the waves to sing
        Have quite forgotten till the deep shall fling
        A bow across its vibrant chords. Then, lest
        One moment of the sea’s repose we lose,
        Nor furnish Fancy with a thousand themes
        Of unimagined sweetness, let us gaze
        On this serenity, for as we muse,
        Lo! all is restless motion: life’s best dreams
        Give changing moods to even halcyon days.
               

        SUNDAY POETRY: "LISTENING DEEP"



        It came to me that a river is flowing
        somewhere inside the ocean, a crystal
        muscle of water flexing under
        the salt; and in it, trapped for centuries,
        fish from a purer stream are living
        in their old ways, fresh and strong.

        It came to me as I was breathing,
        one in a crowd of people waiting
        inside a convention listening to speeches
        that whispered something hidden in language
        to save us. I felt that Amazon tug
        for a minute, before the salt came back.
            

        SUNDAY POETRY: "THE LOBSTER"



        THE LOBSTER
        by Carl Rakosi

        Eastern Sea, 100 fathoms,   
        green sand, pebbles,   
        broken shells.


        Off Suno Saki, 60 fathoms,   
        gray sand, pebbles,   
        bubbles rising.


        Plasma-bearer   
        and slow-
        motion benthos!


        The fishery vessel Ion
        drops anchor here
                                   collecting   
        plankton smears and fauna.


        Plasma-bearer, visible
        sea purge,
                        sponge and kelpleaf.   
        Halicystus the Sea Bottle


        resembles emeralds   
        and is the largest   
        cell in the world.


        Young sea horse   
        Hippocampus twenty   
        minutes old,


        nobody has ever   
        seen this marine   
        freak blink.


        It radiates on   
        terminal vertebra   
        a comb of twenty


        upright spines   
        and curls   
        its rocky tail.


        Saltflush lobster   
        bull encrusted swims


        backwards from the rock.
        (Slipper Lobster larva. Photo by Peter Parks. From the Australian Museum.)

        SUNDAY POETRY: "TOR HOUSE"



         





















        If you should look for this place after a handful of lifetimes:
        Perhaps of my planted forest a few
        May stand yet, dark-leaved Australians or the coast cypress, haggard
        With storm-drift; but fire and the axe are devils.
        Look for foundations of sea-worn granite, my fingers had the art
        To make stone love stone, you will find some remnant.
        But if you should look in your idleness after ten thousand years:
        It is the granite knoll on the granite
        And lava tongue in the midst of the bay, by the mouth of the Carmel
        River-valley, these four will remain
        In the change of names. You will know it by the wild sea-fragrance of wind
        Though the ocean may have climbed or retired a little;
        You will know it by the valley inland that our sun and our moon were born from
        Before the poles changed; and Orion in December
        Evenings was strung in the throat of the valley like a lamp-lighted bridge.
        Come in the morning you will see white gulls
        Weaving a dance over blue water, the wane of the moon
        Their dance-companion, a ghost walking
        By daylight, but wider and whiter than any bird in the world.
        My ghost you needn’t look for; it is probably
        Here, but a dark one, deep in the granite, not dancing on wind
        With the mad wings and the day moon.


        (Robinson Jeffer's Tor House. From the Robinson Jeffers Tor House Foundation.)

        SUNDAY POETRY: "SEA-WARD, WHITE GLEAMING..."


        (Common gull, or mew gull, or sea-mew, or Larus canus. Photo by Tomasz Sienicki, courtesy Wikimedia Commons.)

        by Samuel Taylor Coleridge

        Sea-ward, white gleaming thro' the busy scud
        With arching Wings, the sea-mew o'er my head
        Posts on, as bent on speed, now passaging
        Edges the stiffer Breeze, now, yielding, drifts,
        Now floats upon the air, and sends from far
        A wildly-wailing Note.

        SUNDAY POETRY: "THE SEA HOLD"

        (Common loon. Detail from the diorama Diving Birds: Feasting on Newfoundland's Grand Banks in the Milstein Hall of Ocean Life at the American Museum of Natural History. Photo by Wally Gobetz at Flickr.

        THE SEA HOLD
        by Carl Sandburg

        THE SEA is large.
        The sea hold on a leg of land in the Chesapeake hugs an early sunset and a last morning star over the oyster beds and the late clam boats of lonely men.
        Five white houses on a half-mile strip of land … five white dice rolled from a tube.

        Not so long ago … the sea was large…

        And to-day the sea has lost nothing … it keeps all.

        I am a loon about the sea.

        I make so many sea songs, I cry so many sea cries, I forget so many sea songs and sea cries.

        I am a loon about the sea.

        So are five men I had a fish fry with once in a tar-paper shack trembling in a sand storm.

        The sea knows more about them than they know themselves.

        They know only how the sea hugs and will not let go.

        The sea is large.

        The sea must know more than any of us. 


        (Diorama: Diving Birds: Feasting on Newfoundland's Grand Banks, at the Milstein Hall of Ocean Life at the American Museum of Natural History.)
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